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CM Culture explores all of Aotearoa's accomplished people, places and things. We curate the country's best of the best and present them to our readers. Art, music, The List, reviews, and more can be found here for all that's cool in Canterbury.

As Ōtautahi moves into a new creative era, few artists embody the city’s shifting rhythm quite like Lauren Marshall. Singer, songwriter, model, media multi-hyphenate — she is part of a rising generation reshaping what Canterbury artistry looks and feels like in 2026. Grounded in community yet constantly evolving, Lauren’s trajectory mirrors the momentum of the region itself: bold, collaborative, curious, and unmistakably original.
A Season of Change — and Creative Expansion
For Lauren, 2025 was a defining year — a period of experimentation, relationship-building, and brave reinvention. After returning home in 2021, she wove herself into the cultural fabric of Ōtautahi with intention and grit. Now, standing on the edge of a new cycle, she feels the shift.
“My life tends to run in five-year cycles,” Lauren reflects. “2026 feels expansive — like something new is waiting for me.”
This evolution isn’t just personal; it’s deeply creative. It marks a turning point in how she sees herself, her craft, and the community she calls home.
Defining the Lauren Marshall Sound
One of the most compelling parts of Lauren’s artistry is her refusal to remain static. Her musical DNA is a constellation of influences — pop, soul, blues, jazz, and the theatrical strength of her musical theatre background — paired with the rock edge that shaped her teens.
This year, that fusion sharpened into something bolder.
She’s leaning harder into rock, pushing her writing into new emotional territory, and simultaneously circling back to the world of electronic music. Her DJ training adds a fresh dimension — a future-leaning skill that expands how she can shape sound, space, and performance.
“I’d consider myself a curious person… I want to try it all and see what happens.”
It’s this curiosity that defines the Lauren Marshall sound today: timeless foundations underpinned by modern experimentation and fearless genre play.
The Live Show: An Artist in Motion
If Lauren’s studio work is about blending influences, her live shows are a study in transformation. Each project invites a different version of her — and Canterbury audiences have watched that evolution unfold in real time.
Her LOVETA sets bring vibrant pop energy; her Tadpole performances deliver grit and edge; her stripped-back acoustic gigs reveal the raw, connective warmth at the heart of her voice.
Across all stages, one constant remains: connection.
“My goal is always to bring people into my musical world. To have a blast together.”
As 2026 approaches, expect the unexpected — more guitar, more texture, more personality, and more immersive worlds built through sound.
Music, Modelling, Media — The Marshall Triad
In a city where creative communities overlap naturally, Lauren has built a brand powered by collaboration. Modelling for Portfolio Models led her to photographers, videographers, stylists, and MUAs who became integral to her projects. The music scene connected her to players ready to step into any concept she dreams up. The hospitality world, too, has been part of her creative ecosystem.
It’s pure Ōtautahi synergy — the kind that can only exist in a city where everyone is two introductions away from building something together.
“It’s cool bumping into people when I’m out — whether I’m playing a gig, at a fashion show, or on a shoot. It all overlaps.”
This weaving-together of disciplines has become part of her identity, strengthening her brand as much as her personal relationships.
A New Chapter of Collaboration
While some upcoming partnerships remain under wraps, she’s clear about the creatives who inspire her.
She names Emily C. Browning — one of Ōtautahi’s most respected producers — as someone she’d love to work with. And she highlights Spice Kotiro for the way her multi-disciplinary, vintage-infused fashion world intersects with makeup, styling, and photography.
These aren’t just names; they’re signals of the direction Lauren is heading — bold, genre-crossing, artisanal, and deeply local.
Connection, Vulnerability & Dreaming Out Loud
Behind the performances — whether on stage or onscreen — Lauren’s goal remains beautifully human: to make people feel seen.
“Putting myself on stage is vulnerable. But being authentically myself is important. I want my audience to feel free, connected, present… to forget the heaviness of life and just dream a little.”
Her work invites audiences into the moment — to dance, to feel, to release — and that emotional accessibility is part of what makes her a standout figure in Canterbury’s creative scene.
Ōtautahi’s Creative Pulse — and How It Shaped Her
Canterbury’s artistic community is one of the region’s greatest assets — intimate, generous, and fiercely supportive. For Lauren, it was the perfect launchpad.
“I’m not sure any other region has quite the same vibe. It’s very special.”
This city gave her the confidence to step fully into her craft — a place where collaboration isn’t a strategy but a culture, where emerging artists are embraced, and where innovation thrives through shared energy.
Looking Toward 2026: The Year of Expansion
What does next year hold? Growth — unapologetic and intentional.
“I’m ready to shed some layers and truly expand on what I’ve built.”
Musically, personally, and professionally, 2026 is set to be a landmark year — not only for Lauren, but for the wider Ōtautahi creative landscape she champions so passionately.
I think my biggest goal overall for 2026 is to challenge myself to take my creativity to the next level and truly expand on what I’ve already built. Personally and professionally, I’m ready to shed some layers and have created a pretty solid plan for myself to make that happen. I aim to fully trust the process, have fun creating, and just enjoy the ride!

Holly Zandbergen’s upcoming exhibition, Elemental Lands, invites viewers into a visceral encounter with Aotearoa’s untamed south. From alpine ranges to the deep greens of Fiordland, her canvases pulse with movement and light. Through thick, gestural layers of oil paint, she captures not just what the landscape looks like — but how it feels. Each impasto stroke embodies the terrain’s rugged spirit, transforming pigment into texture, energy, and emotion. Paint here is more than medium; it becomes a metaphor for the living connection between the artist and the elemental forces she channels.
Born in Timaru, Zandbergen’s journey has been one of international acclaim and deeply personal evolution. After earning recognition early in her career — including the 2015 Best Young Artist award at the National Open Art Competition at London’s Royal College of Art — she was represented by Rebecca Hossack Gallery in London, exhibiting across global art fairs from Toronto to New York and Hong Kong. Returning home in 2016, she reconnected with New Zealand’s landscapes and has since exhibited in Auckland, Christchurch, and Arrowtown, each body of work revealing new depth in her ongoing dialogue between nature and form.
In her own words, Zandbergen approaches painting as an experiential act, where speed, force, and motion activate meaning. Every mark is both instinctive and intentional — a bridge between thought and form, interior emotion and external landscape. Elemental Lands continues that exploration, presenting works that are luminous, tactile, and alive with the pulse of place.
Elemental Lands opens 4 December at Craig Potton Gallery, Nelson.
For exhibition details and sales enquiries, visit craigpottongallery.co.nz.

Work in progress | Holly Zandbergen, 2025

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